It’s that March 2017 female-composer-a-day series you’ve come to know and love! Listen up, it’s Kate Moore:


Music at First started back up again September 2, with its first-ever benefit concert, graciously given by pianist Kathleen Supové and guitarist James Moore, who paired up for their debut as A Musical Sacrifice. Check out my video clips from the concert above, and, as always, be sure to wear headphones so as to get all the nuance-y goodness out of the fine pieces they played.

From the delicate Lou Harrison transcriptions played by James to Lainie Fefferman’s dramatic, trill-based “Barnacles”–love the sound of Kathleen banging on the low strings–to the bombastic opening of John Zorn’s “Piece XIV” from Sebastopol, the concert was a satisfying mix of new music sounds from both established and younger contemporary composers. This also included whisper-quiet selections from Larry Polansky’s Songs and Toods and Lisa R. Coons’ jagged “A Quiet Struggle”–which had James dragging childrens’ chopsticks between fretboard and strings.

Perhaps the most striking piece on the program was Marita Bolles’ “Buddha Girl,” which blended portions of an interview with a woman who lost her daughter in the 9/11 attacks with atmospheric piano and electronics accompaniment. Beautifully performed by Kathleen, the result was painfully moving.

Debuting as A Musical Sacrifice, James and Kathleen alternated interviewing each other about their solo selections, as well as asking for a stray-object-sacrifice from the audience (I put a wine cork in the basket). They ended the concert as a duo with Nick Didkovsky’s “She Closes Her Sister With Heavy Bones,” an angular, charged piece that had prepared piano and guitar weaving in and out of synch with each other in a kind of spiky dance.